Transcript of life history interview with 'Rosemary' from Cohort A (born 1916-1934) of the Life Histories and Social Change collection; Female, Roman Catholic, widowed and a grandmother. She describes her urban childhood in Dublin city, including her father's stables in the city
Poverty | Emigration | Nurses
Text
Transcript of life history interview with 'Liz' from Cohort B (born 1945-1954) of the Life Histories and Social Change collection (see Related Materials); Female, Roman Catholic, married and a grandmother. Liz grew up on a subsistence farm in the rural mid west, her parents manag
Emigration | Poverty | Nurses
Text
Audio clip from life history interview with 'Bernard' from Cohort B (born 1945-1954) of the larger collection Life Histories and Social Change. All names have been anonymised. Access to the audio clip is restricted to bona fide academic researchers and teachers, and to students t
Qualitative interview clips | Emigration
Mixed Types
Transcript of life history interview with 'Bernard' from Cohort B (born 1945-1954) of the Life Histories and Social Change collection (see Related Materials); Male, Roman Catholic, married and grandfather. Bernard grew up in rural west in a railway cottage, his grandfather and f
Poverty | Emigration | Construction workers
Text
Transcript of life history interview with 'Desmond' from Cohort B (born 1945-1954) of the Life Histories and Social Change collection (see Related Materials); Male, Roman Catholic, married; Desmond grew up in the border region, in a council house with no sewerage nor electricity.
Emigration | Construction workers
Text
Audio clip from life history interview with 'Bernard' from Cohort B (born 1945-1954) of the larger collection Life Histories and Social Change. All names have been anonymised. Access to the audio clip is restricted to bona fide academic researchers and teachers, and to students t
Qualitative interview clips | Emigration
Mixed Types
The large canvas depicts Ireland's Celtic heritage with sardonic eye and is anti-romantic comment on the fanciful idealisation of western peasant culture. He bases his scene on the old practice when, on 'pattern days', people would gather to pray at a holy site associated with a
A Sense of Identity | Celtic Revival | The West
Image
