Gerard McSorley, Stephen Brennan and Marie Kean in a scene from the 1982 Abbey Theatre production of Brian Friel's Philadelphia, Here I Come!
A Sense of Freedom | Arts | Drama
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Scene from the world premiere of Dancing at Lughnasa by Brian Friel, Abbey stage, 1990.
A Sense of Freedom | Arts | Drama
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Programme for an Abbey Theatre tour to the King's Theatre, Glasgow in 1906.
A Sense of Place | Arts | Drama
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Programme for performances on 4th March 1912 by the Abbey Theatre Company at the Plymouth Theatre, Boston.
A Sense of Place | Arts | Drama
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Prompt script for the world premiere of Riders to the Sea by J.M. Synge, Molesworth Street Hall, Dublin, 1904.
A Sense of Place | Arts | Drama
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Photograph of the auditorium of the old Abbey Theatre. Opened on 27th December 1904 the auditorium, renovated by the architect Joseph Holloway, had a capacity of 562. One of two copper mirrors commissioned from Youghal metalworks is visible on the balcony wall.
A Sense of Place | Arts | Drama
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Statuette depicting Celtic warrior in heroic pose.
A Sense of Identity | Mythology | Mythology, Celtic
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Funeral of Terence McSwiney.
A Sense of Identity | History | Politicians
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Lying body of a half naked revolutionary or rebel, possibly dead.
A Sense of Identity | History | Revolutions
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Scene of man bidding farewell to his family as he prepares to emigrate from Aran Islands.
A Sense of Place | The West | History
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Triptych of cibachrome photographs. 150 x 100 cm (each), 'Blood of the Beast' is a triptych focusing on the subject of conflict and history in the north of Ireland, a subject that British artist Nigel Rolfe has returned to on many occasions in his work. A series of symbolic
A Sense of Freedom | History | Northern Ireland
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Acrylic on canvas. 152.6 x 183.2 cm, ‘Black and White’ is one of many works from Irish artist Michael Farrell's Pressé Series which he produced in the 1970’s. In these works, Farrell was inspired by curvilinear motifs from early Irish art which he used to create stylised,
A Sense of Identity | Art, Irish | History
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